Review: Thirteen Strings’ ‘Mirage?’ takes a new approach to classical music
Mirage? defies all presumptions of classical music and shows how music can be borderless and touching when presented in a diverse and accessible format....
Review: Taylor Swift’s ‘Midnights’ is mature, energetic and filled with passion
With thoughtful lyrics about love, aging and self-reflection layered over slow synth-pop beats, Midnights, released Oct. 21, passionately reflects Taylor Swift’s talent and maturity...
Review: The 1975’s ‘Being Funny in a Foreign Language’ avidly explores modernity and loneliness
If you only follow The 1975’s lead singer Matty Healy to click through the chaos of his Instagram stories, it’s easy to reduce The...
Review: BAC’s ‘Mean Girls’ delivers a hilarious and emotional scope into teenage drama
Broadway Across Canada’s (BAC) production of Mean Girls had the audience erupting in laughter as it offered a glimpse into high school gossip, bullying...
Review: GCTC’s ‘The Chemical Valley Project’ uses a sheet, projector and stroke of genius
Performing as the only cast member on a compact stage with limited lighting, props and a projector is a tall order for most theatre...
