Review: ‘On Beauty’ captures the delicacies of the mundane
While laying in the grass of New York City’s Central Park with the skyscrapers warmly embracing me, I cracked open the short story collection,...
Review: Sock ‘n’ Buskin’s ‘1984’ is a tall order on a small stage
In a dystopian society, Winston is a cog in a utilitarian machine. This world operates under the constant surveillance and censorship of the Party,...
Review: ‘Anora’ is forceful, frenzied and fiercely human
With Anora, indie darling Sean Baker (The Florida Project, Tangerine) crafts a raucous, punchy, screwball comedy that makes compelling, if shallow, observations about the...
Review: ‘Time Cut’ amuses, but ultimately falls flat
Released on Oct. 30 on Netflix, Time Cut follows teenager Lucy (Madison Bailey) as she is unexpectedly transported back to 2003, arriving just days...
Review: Ottawa Little Theatre’s ‘Guilty Conscience’ is full of suspense and intrigue
OttFor criminal defence attorney Arthur Jamison, the liveliest courtroom is the one that exists inside his mind.
He pits himself against imagined prosecutors, playing out...
