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    A band with guitars, drums and other instruments stand on a stage backlit with blue.

    Review: Broken Social Scene’s intoxicating sonic soundscape transforms Ottawa Jazz Festival

    Arts Simon McKeown -
    Broken Social Scene took intoxicating alternative rock with jazz influences to the Ottawa Jazz Festival for an electric night of performance.
    Two men stand on stage, one has a bass guitar and the other grins.

    Review: The Roots rock Ottawa Jazz Festival stage with rhythm and groove

    Arts Jacqueline MacKay -
    On the third night of the Ottawa Jazz Festival, The Roots' impressive live instrumentation and improvisation took to Confederation Park.
    Four women on stage in black lighting.

    Review: Ottawa Jazz Festival opens with Allison Russell, clarinet and hope

    Arts Alexa MacKie -
    Kicking off Ottawa's 45th annual Jazz Festival, Grammy-winner Allison Russell performed intimate songs of resilience and hope.
    Five people stand on a stage with soft lighting and living room furniture.

    Review: Humour meets heart in Ottawa Little Theatre’s ‘37 Postcards’

    Arts Grace Hawkes -
    In Ottawa Little Theatre's '37 Postcards,' humour and heartfelt moments craft a fast-paced performance across a meticulous stage.
    A yellow background graphic reads "Q&A"

    Q&A: Author Marianne K. Miller speaks on award-nominated debut novel and Ernest Hemingway inspiration

    Arts Kathan Kapoor -
    Carleton University alumna Marianne K. Miller's award-nominated debut novel, We Were the Bullfighters, follows Ernest Hemingway's first assignment as a Toronto Star staff reporter.
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    The Charlatan has been publishing at Carleton for more than 80 years. The first issue was published on Nov. 28, 1945, under the name the Carleton. In the 1970s the name was changed to represent a more edgy newspaper the editors sought to shape.
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