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    Four people in red and black extravagant clothing stand with instruments in a forest clearing.

    Review: ‘Forensis’ album files through the wreckage of young love

    Arts Naeema Abdullahi -
    Carleton student Nisse Anonby, professionally known as Loch Nisse Monster, penned her album, Forensis, describing heartbreak as a crime scene.
    Photos hang from the ceiling of an art gallery.

    ‘Unravelling’ exhibit weaves culture, identity and activism

    Arts Savanah Patterson -
    Gallery 101's Unravelling exhibit featuring multimedia works explores colonialism and celebrates Filipino heritage.
    A DJ plays on stage in with a backdrop of golden spotlights and sparks.

    Bluesfest Day 9 review: Kaytranada ends festival on a high note with an energetic...

    Arts Jacqueline MacKay -
    Montreal-raised DJ and producer Kaytranada brought rhythm and style to a dance-ready crowd on the final night of Bluesfest.
    A singer performs on a stage with green smoke

    Bluesfest Day 8 review: Papa Roach keeps LeBreton Flats sharp with nu metal anthems,...

    Arts Justin Ball -
    With a mix of chaotic nu metal rock, Papa Roach brought style to Bluesfest with a dose of mental health awareness.
    A band performs on stage.

    Bluesfest Day 7 review: Green Day greenlights night of old and new punk rock

    Arts Cassandra Bellefeuille and Alexa MacKie -
    To a plentiful crowd, Green Day headlined Bluesfest with a thunderous performance of punk rock, nostalgic classics.
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    The Charlatan has been publishing at Carleton for more than 80 years. The first issue was published on Nov. 28, 1945, under the name the Carleton. In the 1970s the name was changed to represent a more edgy newspaper the editors sought to shape.
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