Summer theatre is in full swing in the capital, with Chicago taking to the stage of the National Arts Centre the last week of June.
With acts of murder, treachery and complete debauchery, it’s no wonder the saucy Broadway hit never misses a beat with its audience.
As the story of fame-hungry starlet Roxie Hart (played by Bonnie Langford) unfolds, it is practically impossible for one to resist the musical’s lust-driven world of jazz and liquor. From the very start the high-energy choreography and sultry soundtrack ensure the high entertainment value of this risqué cabaret.
The sassy attitude of quirky character Roxie Hart comes with seemingly little effort to Langford, whose comedic flare is first-class. Despite excellent solo numbers, however, it is the supporting characters that steal the show.
Feisty fellow convict Velma Kelly (played by Terra C. MacLeod) is mesmerizing in top-notch performances including All That Jazz. MacLeod more than fills the role with a voice that does justice to her fiery personality and dance moves that are downright dirty.
Meanwhile, it is Brent Barrett, playing devious lawyer Billy Flynn, who adds the “razzle dazzle” to the affair. He charms the crowd with a booming voice and a suave look that would make you believe he was cast straight from the Windy City in the 1920s.
Amidst the dramatic solo numbers come the frenzied group ensembles. Whether it’s a group of paparazzi scurrying for the latest story or a jazz routine in a late-night music hall, the stage comes to life with the energetic dancers.
But although the choreography is upbeat and brazen, its delivery sometimes seems lackluster under the bright lights. Perhaps the stage setting in the latest rendition of Chicago, which places the orchestra in the middle, leaves too little space for such animated routines.
The overall effect appears to be a little disorganized, preventing the musical from reaching its full theatrical potential and exuding its usual pizzazz.