Review: Ottawa Dance Directive’s ‘One Hundred More’ seamlessly blends art and activism
Justine A. Chambers and Laurie Young’s modern dance performance entitled One Hundred More was powerful and moving, providing a refreshing example of art as...
Review: GCTC’s ‘Forever Young: A Ghetto Story’ uses comedy to tackle themes of oppression
WARNING: This article contains mention of violence and the Holocaust. Those in need of support can contact the Mental Health Crisis Line: 613-722-6914 (within...
Review: Thirteen Strings’ ‘Mirage?’ takes a new approach to classical music
Mirage? defies all presumptions of classical music and shows how music can be borderless and touching when presented in a diverse and accessible format....
Review: Taylor Swift’s ‘Midnights’ is mature, energetic and filled with passion
With thoughtful lyrics about love, aging and self-reflection layered over slow synth-pop beats, Midnights, released Oct. 21, passionately reflects Taylor Swift’s talent and maturity...
Review: The 1975’s ‘Being Funny in a Foreign Language’ avidly explores modernity and loneliness
If you only follow The 1975’s lead singer Matty Healy to click through the chaos of his Instagram stories, it’s easy to reduce The...
