Review: NAC’s ‘Controlled Damage’ unravels the person behind the face of our $10 bill
On the fall evening of Nov. 8, 1946, Viola Desmond took a seat in the whites-only section of the Roseland Theatre of New Glasgow,...
Review: Ava Reid’s ‘Lady Macbeth’ beautifully subverts Shakespeare’s ‘Scottish Play’
Shakespeare’s Macbeth has long been steeped in a macabre tradition: misfortune befalls those who take part in performances. The play itself stirs up eerie...
Review: Carleton Musical Theatre Society’s ‘Legally Blonde’ is bright, colourful and chic
In Legally Blonde: The Musical, being true to yourself never goes out of style. In fact, knowing your strengths and differences may just be...
Review: ‘SAYA’ is an eccentric and comforting voyage through heartache
With soothing vocals, daring experimental art pop and folky rhythms, Saya Gray’s debut album SAYA transports listeners through the different stages of heartbreak and...
Review: ‘She, Men and the Giant F*cking Snake’ is a cohesive, genre-defying theatrical production
Eerie hissing and murmurs overlap in an intensifying cacophony. Fierce instrumentals kick in as She stomps on stage, slamming their radio with an exasperated...
