Saturday, November 30, 2024
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A man and a woman wearing white in an embrace with fireworks and lights in the background.

Review: ‘Anora’ is forceful, frenzied and fiercely human

Reviews Honora Murphy -
With Anora, indie darling Sean Baker (The Florida Project, Tangerine) crafts a raucous, punchy, screwball comedy that makes compelling, if shallow, observations about the...
Walking down the stairs in a dark and gloomy looking basement, a girl in jeans and a white tshirt holds a knife and looks scared.

Review: ‘Time Cut’ amuses, but ultimately falls flat

Reviews Daniel Fraser -
Released on Oct. 30 on Netflix, Time Cut follows teenager Lucy (Madison Bailey) as she is unexpectedly transported back to 2003, arriving just days...
On stage, a man in a black suit points a gun to someone off stage.

Review: Ottawa Little Theatre’s ‘Guilty Conscience’ is full of suspense and intrigue

Reviews Natasha Baldin -
OttFor criminal defence attorney Arthur Jamison, the liveliest courtroom is the one that exists inside his mind. He pits himself against imagined prosecutors, playing out...
With a white spotlight on them, Joker and Harley Quinn talk in a dark restaurant

Review: ‘Joker: Folie à Deux’ is laughably bad

Reviews Daniel Fraser -
Peppered with clichés and drawn-out sequences, Joker: Folie à Deux is undoubtedly one of the most disappointing films of the year. Two years after the...
A Black man in a suit sings with his right hand extended in the air in passion. In the back, the NAC orchestra is seated and playing along.

Review: Norm Lewis delivers ‘Big Broadway’ with big hits, bigger performance

Reviews Alexa MacKie -
Principal pops conductor Jack Everly led the National Arts Centre Orchestra through “Broadway’s Leading Men Prelude” to kick off Big Broadway on Oct. 3. The...
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The Charlatan has been publishing at Carleton for more than 70 years. The first issue was published on Nov. 28, 1945, under the name the Carleton. In the 1970s the name was changed to represent a more edgy newspaper the editors sought to shape.
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